A body of ink brush drawings mostly on paper, at times unfolding across walls or photographic surfaces. Emerging alongside my photographic, sonic, and interactive works, these drawings establish a parallel field within the practice: less rigorously conceptual, yet no less essential. They cultivate a space of looseness and immediacy, where the hand’s gesture interrupts the system, and where form is allowed to drift.
The works stage encounters between figuration and abstraction, in which vegetal or biomorphic traits dissolve into graphic structures, or where typographic fragments punctuate a field of marks without offering clarity. Text remains unstable — sometimes an echo, sometimes a noise, sometimes a lure. In this sense, the drawings become a testing ground: a site for rehearsing formal tensions, for letting motifs appear in unfinished or excessive states, for allowing the language of images to oscillate between play and gravity.
