As part of L’Exposition d’un film, a feature-length exhibition for cinemas directed by Mathieu Copeland, a series of fourteen posters was produced by the CNEAI in 2015, co-presented by the Centre d’Art Contemporain Genève. Each poster was printed in an edition of five, digitally on Magistra Deluxe Blueback paper (120 × 160 cm), and conceived as a visual echo to the film’s polyphonic structure.
My contribution formed part of this ensemble alongside works by Mac Adams, Darren Banks, Eva Barto, Philippe Decrauzat, Mai-Thu Perret, Charlotte Moth, Denis Savary, Phoebe Unwin, Alan Vega, Jacques Villeglé, and others.
These posters, presented under the title Les œuvres produites par les centres d’art (/œuvres), explore the notion of the exhibition’s “derivative forms” — extending its temporal and spatial dimensions into print and public space.
CNEAI=, Centre d’Art Contemporain Genève, 2015
Curated by Mathieu Copeland
L’Exposition d’un film was originally premiered at the Biennale of Moving Images (Geneva, 2014) and later shown at Tate Modern and the Centre Pompidou in 2015, accompanied by a publication edited by Mathieu Copeland and published by HEAD – Genève and Les Presses du Réel.
