These brush and ink drawings unfold as ambiguous morphologies: at once botanical growths and the luminous spheres of nuclear explosions. Referencing the “Flying Knotholes” photographs—images of atomic blasts in the instant when glowing orbs extend strange filaments reminiscent of vegetal shoots—the works oscillate between catastrophe and germination. Their shifting silhouettes evoke both the catastrophic grandeur of nuclear spectacle and the generative pulse of organic life, staging an unstable field where violence and vitality intertwine.